Clear Cut Chorus was exhibited at the Sunshine Coast Arts Council gallery (SCAC), June 23-August 13, 2023. This recording is an example of the installation system output.
Read MoreRecital With a Forest was performed at Tuwanek Springs Forest on May 20, 2023. The performance was exhibited as a generative media installation in the Sunshine Coast Arts Council gallery, June 23-August 13, 2023. This recording is an example of the installation system output.
Read MoreRehearsal for a Forest was performed at: The New Media Gallery, April 29, 2023
“For Rehearsal for a Forest, the Ensemble uses instruments hand-made from remnants and cast-offs of local trees and plants, combined with electroacoustic techniques, and improvisational approaches, to ask that we listen to trees for the sake of the forests.”
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Here’s a book review of Wetland Project: Sound, Ecology and Post-Geographical Art I did for BC Studies:
I could have been clearer in the review that this artist’s book is a beautiful and enriching component and companion to the wonderful Wetland Project from Mark Timmings, Brady Marks and collaborators. :-)
Typical system output from Node, Lee, Resonance, my generative audio/video installation as shown at "All Are Temporary Worlds", the School for Contemporary Arts MFA Spring Show, April 14, 2022
Read MoreAmbisonic recording (converted to binaural) from under the south end of the Ironworkers Memorial Bridge (also Second Narrows Bridge) in Vancouver, BC
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Epic Walk Diaries (Pensacola) February 9 - image courtesy of Alex Hass and Maria Lantin
My good friends Maria Lantin and Alex Hass invited me to contribute a sound composition for their work Epic Walk Diaries for an exhibition the TAG gallery as part of the STEAM2020 colloquium hosted by the University of Western Florida in Pensacola. Read about their residency here: STEAM2020 Residency.
The sound composition is recombinant, continually remixing live sounds Alex and Maria recorded on their Epic Walks with samples I recorded of some steel bowls and my bass. Here’s some example output from the system that was assembled in Max8.
New post with documentation on Biophilia, interspecies recombinant audio-video installation, 2017-18
Read Moremeanwhile ~ a Time Space Scanner installation
meanwhile, generative media installation (chickpeas, mycelium, botrytis cinerea, forest floor leavings, sunlight; animated scans; generative audio; injet on technical silk)
in collaboration with Alex Hass and Maria Lantin
Read MoreThis work is inspired by snapshots of the gutters near my home after the late snowfall in March of 2017. The audio is from samples recorded in my kitchen processed with a custom granular patch made in Max7. The visual is pixel sorting algorithms applied to the orginal snapshot.
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Poster for the New Media + Sound Art Concerts (Part of the Time Light Sound Series at Emily Carr University).
I had a wonderful time performing in a couple of concerts last week. These shows were the initail concerts of the New Media + Sound Art performance series, which is in turn part of the Time Light Sound at Emily Carr University of Art + Design. The NMSA series highlights the works of student and faculty from the NMSA program at ECU.
The Thursday night featured performances of EPIC_Tom and Biophilia with the VOICE OVER mind Choir lead by DB Boyko.
The Friday night included performances by NMSA faculty Peter Bussigel, Julie Andreyev and Caroline Park as Tiny Disasters, and myself as well as two performances by student enselmbles.
My work on Friday was a further develpment of a piece created and first performed with Ava Grayson at Third Space's Sound Room. It is a performed audio-visual piece with visuals developed in Max7/Jitter, custom granular processing and noise instruments also made in Max7. For this iteration I have started to explore an idea I have to work with video reactive audio. In this case the luminosity of a slected portion of the screen controlled the noise instruments.
Audio recorder in position at Fillongley National Park, Denman Island, BC, Canada.
photo by Julie Andreyev
Here is an nice article by Alexander Varty published in Musicworks about Biophilia, a work I made in collaboration with Julie Andreyev, premiered at ISCM 2017 "World New Music Days," November 2017, Vancouver BC, Canada.
I'll publish a post about the work as we finish preparing the documentation. There is more information on Julie's site.
"I Am Afraid" Screen Capture
A project I am currently working on is "I Am Afraid" — a multiplayer VR interactive artwork that involves playing with sounds and words, with others, in a virtual space. The artwork provides an opportunity for people to play, be curious, and explore as a counter to fear, either personal or general. The project is the work of Dr. Maria Lantin from the S3D Centre at Emily Carr University, Vancouver, BC.
In the VR space the participants can record any sound (usually produced with their voice) and then interact with the sound through gesture, scrubbing through the sounds or looping playback. Gestures can be recorded and set to loop, so patterns and composition can be improvised. Spoken words are recorded and converted to text using Watson so that they can be rendered in scene and interacted with. My role has been to contribute to the design of the sound interaction and implement the audio technology, in particular the live granular processing in Unity that allows for the scrubbing and other effects.
The project is built for Google's Daydream VR system, in Unity and can work with a motion capture system to allow in game mobility. It is very complex with the multiplayer (think networking), motion capture, and live audio processing. Although the components built with their service are not currently part o the project I would like to thank Enzien Audio for their tremendous support in trying to get things working on the Pixel phone. One version of the granular audio processing was built in Pure Data and converted to a Unity plugin with their Heavy Audio tool. Currently we are using Unitly's Native Audio Plugin SDK demo which we managed to build for Android.
More news when it happens.
Granular processing of a quick field recording of building noise and a passsing taxi on West 7th Avenue in Vancouver, BC
Read MoreSome recordings from under the south end of the Ironworkers Memorial Bridge (also Second Narrows Bridge) in Vancouver, BC
Read MoreA couple of snippets from a recording December 28, 2015.
Location: 54°39'12.5"N 127°10'18.1"W — At the end of Averling Coalmine Road on the Telkwa River near Telkwa, BC, Canada.
Audio is trimmed, gain increased, high pass filtered.
The river is subdued by the ice, but still burbles and slaps as it is exposed and then enveloped again. The blue in the images is just the colour of the winter dusk.
Audio-visual performance, Sound Room at Third Space, Helsinki, Finland, 2013
A collaboration with Ava Grayson
Ava Grayson and Simon Overstall performing at Third Space, Helsinki, Finland
Screen Capture of visuals from the performance at Thrid Space, Helsinki, Finland
Promotional Poster for Sound Night I at Thrid Space, Helsinki, Finland